“From his first notes, guitarist Andrew Blanch drew the audience in. Performing a programme titled Guitar Music from Latin America and Beyond in the cosy space of the Sydney Opera House’s Utzon Room, the Sydney-based musician’s sound was soft-edged yet articulate in Heitor Villa-Lobos’ Prelude No 3. This was the kind of sound that invites you to lean forward and listen hard, barely breathing so you don’t miss any details of the subtle shading…”

Review in Full: Andrew Blanch (Classical Guitar Festival Sydney).

Limelight Magazine, Angus McPherson

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